SMED-1071 Introduction to Laban Movement Analysis
Ellen Bartel
CE Fall 2024
Section(s)
SMED-1071-100 (98404)
LEC Sa 9:00am - 4:00pm HLC HLC2 2551
Course Requirements
REQUIRED TEXTS/MATERIALS
IN CLASS:
- Attending class prepared to physically move all embodied principles of the course
- Bring a notebook to every class
- Complete the reading and writing assignments
- Complete in-class assignments
- Pass the final projects
Written assignments: detailed criteria will be emailed
- Week 5: Paper #1: narrative on Laban’s history (not to exceed 4 pages) 15pts
- Week 14 Paper #2: Written analysis of a Poem-n-movement in LMA terms (include motif and about 2 written pages) 15pts
In-class movement demonstration assignments: detailed criteria will be emailed
- Week 9: Informal Observation (analysis and motif)- Graded HM assignment: what is BESS in LMA terms and real applications/examples 10pts
- Week 14 Poem-n-movement (include motif) 20pts
- Week 16 Scale Demonstrations 20pts total
GRADING SYSTEM
Grading Breakdown:
- Participation 20pts
- Readings 10pts
- Papers 15pts each
- Poem-n-movement
demonstration 20pts
- Dimensional and Diagonal Scale movement demonstration 10pts
- My Body-scale movement demonstration 10pts
- !If an assignment is handed in after the due date an automatic 2 points is taken off, and if an assignment is not completed by the end of the semester no credit will be given for that assignment.
Readings
BOOKS:
Required:
- Guest, Ann Hutchinson Motif Notation. To find look on the Language of Dance website
- Moore , Carol-Lynne. Meaning in Motion
- Moore, Carol-Lynne, Yamaoto, Kaoru: Beyond Words (2012).
- Wahl, Colleen. Laban/Bartenieff Movement Studies: Contemporary Applications (2019).
Recommended and will be used in class- via emailed scans
- Fernandes, Ciane. The Moving Researcher
- Laban, Rudolf. Choreutics
- S. Karen: Everybody is a Body
HOMEWORK:
Reading assignments:
- Week 1
- Beyond Words Chapter 2
- Everybody is a Body (hand out)
- Four Major Themes/BESS
- L/BMS glossary terms
- Week 2:
- L/BMS Chapter 1 and 2
- MIM pg. 7-13
- Week 3
- Motif Notation (MN) pg. v, 1-2, 6-8
- MIM 35-36, 89-101
- L/BMS Chapter 6
- Week 4:
- Everybody is a Body (hand out)
- Week 5:
- MIM pg. 32-33
- MN pg. vii and 17
- MR 139-141 (email)
- Everybody is a Body (hand out)
- Week 6:
- L/BMS Chapter 4
- MIM pg. 63-72, and 127-136
- Week 7:
- MR pg. 142-161 and 214-227 (emailed)
- Week 9:
- Everybody is a Body (hand out)
- Week 10:
- MIM pg. 75-85
- Week 11
- MR pg. 181-194 (emailed)
- L/BMS Chapter 5
- Week 15
- Everybody is a Body (hand out)
Course Subjects
COURSE OUTLINE/CALENDAR: “Please note that schedule changes may occur during the semester. Any changes will be announced in class and posted as a Blackboard Announcement (or other resource faculty is using to communicate).”
Date |
Topic |
Readings |
Writing |
In class |
Week 1 |
INTRODUCTION |
|
|
|
8/22 |
introductions to the course-Review the syllabus, 4 Major themes |
Four Major Themes/BESS L/BMS glossary |
|
Power Point How to organize your notes to learn LMA
Movement Choir |
8/24 |
|
Beyond WordsChapter 2
EBB (hand out) |
Reading worksheet |
Embody BESS |
Week 2 |
THEMES |
|
|
|
8/29 |
|
L/BMS Chapter 1 and 2 MIM pg. 7-13 |
Reading worksheet |
Moving BESS |
8/31 |
|
|
|
Power point – who is Rudolf Laban Look at the symbols and intro to Motif |
Week 3 |
SPACE and INTRO TO MOTIF |
|
|
|
9/5 |
Planes/Kinesphere review 1,2 and 3 dimension |
MIM 35-36, 89-101 L/BMS Chapter 6 |
Reading worksheet |
Space symbols Learn Dimensionalscale
|
9/7 |
Actions strokes and Motif structure |
Motif Notation (MN)pg. v, 1-2, 6-8
|
|
Action strokes- Beyond Words video 1 |
Week 4 |
|
|
|
|
9/12 |
Space category and symbols |
EBB (hand out) |
Reading worksheet |
Moving and. Observing each other in Space |
9/14 |
Action Strokes |
|
Symbol worksheet |
|
Week 5 |
BODY |
|
|
|
9/19 |
Drawing and practicing the symbols |
MIM pg. 32-33, MNpg. vii and 17 MR 139-141 (email) |
|
Intro Body Part Symbols and Basic Body Action |
9/21 |
Understanding Bartenieff’s role |
EBB (hand out) |
Paper #1 due- email paper by 9am Reading worksheet |
Moving and observing Body and Space categories |
Week 6 |
EFFORT |
|
|
|
9/26 |
Motion Factors and Effort Graph |
L/BMS Chapter 4, MIM pg. 63-72, and 127-136 |
Reading worksheet |
Moving the motion factors |
9/28 |
|
|
|
introduce the Diagonal scale |
Week 7 |
SPACE HARMONY |
|
|
|
10/3 |
|
MR pg. 142-161 and 214-227 (emailed)
|
Reading worksheet |
Dimensional and Diagonal Scales with Effort Affinities |
10/5 |
Action Drive |
|
|
Scales continued |
Week 8 |
REVIEW |
|
|
|
10/10 |
Body, Space and Effort |
|
Reading worksheet |
Introduce BESS observation HW assignment-motif |
10/12 |
|
|
Symbol worksheet |
Observation and motif practice |
Week 9 |
OBSERVATION and STATES AND DRIVES |
|
|
|
10/17 |
Present observation motif to the class |
|
|
DUE: BESS HWassignment-motif |
10/19 |
Introduce States and Transformational Drive |
EBB (hand out) |
Reading worksheet |
|
Week 10 |
EFFORT IN DEPTH |
|
|
|
10/24 |
Symbols and Motifs |
MIM pg. 75-85 |
Reading worksheet |
Looking at Effort Category in total |
10/26 |
|
|
Symbol worksheet |
Open questions |
Week 11 |
SHAPE |
|
|
|
10/31 |
History of Shape Category, symbols |
MR pg. 181-194 (emailed) L/BMS Chapter 5
|
Reading worksheet |
introduce final exams: Poem-n-movement
|
11/2 |
Relationships |
|
Symbol worksheet |
Moving relationships |
Week 12 |
REVIEW BESS |
|
|
|
11/7 |
Look at graphs, symbols, quality of movement, observation |
|
|
Introduce My Body-Scale Dimensionalscale and diagonal scale final project |
11/9 |
Novel movement exploration |
|
Worksheets |
|
Week 13 |
REVIEW BESS |
|
|
|
11/14 |
Look at Major themes and LMA theories and SME |
|
Q: What is and isn’t working for you? |
Haiku hand out and choose the order to present |
11/16 |
Work on Poem assignment |
|
|
Open Ann Hutchinson Guest video |
Week 14 |
ASSIGNMENT DUE |
|
|
|
11/21 |
|
|
paper #2 |
Present: Poem-n-movement assignment |
No class |
No class |
No class |
No class |
No class |
Week 15 |
REVIEW BESS |
|
|
|
11/28 |
Look at Major themes and LMA theories and SME |
EBB (hand out) |
Reading worksheet |
Novel movement and neuroplasticity |
11/30 |
Work day |
|
|
Work day- pick the order for final presentations |
Week 16
|
FINALS |
|
|
|
11/5 |
|
|
Motif for all 3 scales |
Present My Body Scale |
11/7 |
|
|
Motif for all 3 scales |
Present Dimensionalscale and diagonal scale Movement Choir |
Attire:
Student Learning Outcomes/Learning Objectives
STUDENT LEARNING OUTCOMES, GENERAL EDUCATION COMPETENCIES, & SCANS
Course Outcomes: Develop a method to seeing and language for describing, visualizing, interpreting and documenting human movement. Demonstrate a core knowledge of Rudolf Laban’s theories designed to improve and change repetitive and unhealthy movement patterns and his desire to find harmonious relationships between people and their environment. Explain Laban’s method to analyzing movement, and interpret meaning with the aim to assess the somatic needs in individuals.. Develop pedagogy and group facilitation skills.
Course Objectives:
- Learn introductory to Laban Movement Analysis
- 4 Major Themes, (BESS) Body, Effort, Shape and Space, Basic Body Actions, Motif symbols, graphs and grammar, Movement Choirs, Motion Factors and Dimensional and Diagonal Scales, Modes of Shape Change, Kinesphere, Relationships, and Laban’s history and context within the field of dance, choreography and somatic movement education
- Develop movement coordination
- Increase proprioception and spatial awareness
- Obtain knowledge about how to observe movements in people and animals
- Improve pedagogy skills
- Learn how to write a movement analysis using the LMA grammar and symbols
- Gain confidence in presenting information and movement explorations to a group of people
- Engage with creativity to understand complex movement theories
- Receive a certificate from the Laban/Bartenieff Institute of Movement Studies Introductory Course program
Attendance
Attendance/Class Participation:
For ISMETA approval a student must attend 500 hours with a RSME instructor to complete the attendance requirement. Within our program a student can miss 9 hours of class time without interrupting the required ISMETA hours. Being late to class 3 times will be a loss of 1 hour. No one will be allowed to attend class, without speaking with the instructor prior, if they arrive 30 minutes after class has started or leaving 30 minutes before class ends; you will be marked absent for the full day.
You may make up classes during the semester by attending an ISMETA workshop (online or in person) and hand in a written paragraph about the workshop you attended.
Send me the following:
1. Name of the workshop, date and time, instructor's name and number of hours and what absences you are applying them towards.
2. Describe the goals/outcome of the workshop.
3. Describe your embodied experience of the work.
**Prior to attending a make-up workshop: Inform me that you will be attending .
Email me the paragraph.
You may not miss one of our classes to attend a workshop.
If upon completing the program and a student has exceeded the allowed absences but has passed all other components of the program, they will be required to make up the missed hours by working on their own attending other approved workshops to fill in the missing time. Depending on the number of hours a student may discuss with the instructor if they should pursue ISMETA’s Independent Track or work out a solution to still apply for Fast Track.
Dance area policies
Withdrawal Policy
“It is the responsibility of each student to ensure that his or her name is removed from the rolls should they decide to withdraw from the class. The instructor does, however, reserve the right to drop a student should he or she feel it is necessary. If a student decides to withdraw, he or she should also verify that the withdrawal is recorded before the Final Withdrawal Date. The Final Withdrawal Date for this semester is [insert date here]. The student is also strongly encouraged to keep any paperwork in case a problem arises.
Students are responsible for understanding the impact that withdrawal from a course may have on their financial aid, veterans’ benefits, and international student status. Per state law, students enrolling for the first time in Fall 2007 or later at any public Texas college or university may not withdraw (receive a “W”) from more than six courses during their undergraduate college education. Some exemptions for good cause could allow a student to withdraw from a course without having it count toward this limit. Students are strongly encouraged to meet with an advisor when making decisions about course selection, course loads, and course withdrawals.”
Missed Exam and Late Work Policies
Each instructor should clearly express their policies with regard to missed exams, late homework or laboratory exercises, etc. Again, this helps immensely when dealing with student grade disputes.
Incompletes
“An incomplete (grade of "I") will only be given for extenuating circumstances. What constitutes “extenuating circumstances” is left to the instructor’s discretion. If a grade of I is given, the remaining course work must be completed by a date set by the student and professor. This date may not be later than two weeks prior to the end of the following semester. A grade of I also requires completion and submission of the Incomplete Grade form, to be signed by the faculty member (and student if possible) and submitted to the department chair.
Students may request an Incomplete from their faculty member if they believe circumstances warrant. The faculty member will determine whether the Incomplete is appropriate to award or not. The following processes must be followed when awarding a student an I grade.
1. Prior to the end of the semester in which the “I” is to be awarded, the student must meet with the instructor to determine the assignments and exams that must be completed prior to the deadline date. This meeting can occur virtually or in person. The instructor should complete the Report of Incomplete Grade form.
2. The faculty member will complete the form, including all requirements to complete the course and the due date, sign (by typing in name) and then email it to the student. The student will then complete his/her section, sign (by typing in name), and return the completed form to the faculty member to complete the agreement. A copy of the fully completed form can then be emailed by the faculty member to the student and the department chair for each grade of Incomplete that the faculty member submits at the end of the semester.
3. The student must complete all remaining work by the date specified on the form above. This date is determined by the instructor in collaboration with the student, but it may not be later than the final withdrawal deadline in the subsequent long semester.
4. Students will retain access to the course Blackboard page through the subsequent semester in order to submit work and complete the course. Students will be able to log on to Blackboard and have access to the course section materials, assignments, and grades from the course and semester in which the Incomplete was awarded.
5. When the student completes the required work by the Incomplete deadline, the instructor will submit an electronic Grade Change Form to change the student’s performance grade from an “I” to the earned grade of A, B, C, D, or F.
If an Incomplete is not resolved by the deadline, the grade automatically converts to an “F.” Approval to carry an Incomplete for longer than the following semester or session deadline is not frequently granted.”
DANCE DEPARTMENT AND GENERAL ACC POLICIES
ACC Dance Department Policies
Participation
Dance class is participatory. The dance studio is the laboratory for learning. If you are unable to fully participate in every class meeting, please obtain an official note from the Student Accessibility Services (SAS) office so we can work to best accommodate your needs, or consider dropping the class.
Attendance
Tardiness
Be on time and plan to stay for the entire class session. This course is a participation course that requires students to be present for warm-ups, movement combinations, evaluations, discussions, and all other class activities.
Absence
Students are expected to attend all class meetings. Missing more than 25 minutes of class is considered an absence.
The instructor may withdraw students who accumulate three unexcused absences from the course. Being withdrawn from class for excessive absences may affect a student’s financial aid status. It is the student’s responsibility to communicate with the financial aid office.
Professional Behavior
Professional Conduct
Approach each class with the intent to improve your dance technique and dance artistry. The course grade will reflect individual commitment and focus, ability, attitude, and progress. Unprofessional conduct that undermines the integrity of the course material, other class participants, or the instructor, will not be tolerated. A student conducting themselves in an unprofessional manner may be asked to leave. If the behavior continues, the professor reserves the right to withdraw the student. If there is a conduct issue with a fellow student, speak with the professor immediately.
Professional Communication
When communicating with a professor, the content of your communication should only include relevant information or questions about the course. More thorough discussions about the course or personal matters affecting your ability to complete the course, require an office-hour meeting.
Physical Touch Disclaimer
The use of physical touch is a routine and beneficial teaching practice in dance classes and rehearsals. If you have specific concerns regarding the use of touch in the classroom, please inform the instructor at the beginning of the semester, in writing. You have the right to refuse the use of touch.
Dance Class Attire
Students are required to wear clothing that safely facilitates all varieties of movement. This includes leotards, tights, yoga wear, t-shirts, supportive undergarments (bras, dance belts, etc.), and appropriate footwear at the discretion of the instructor.
THIS DOES NOT INCLUDE jeans, bare midriffs, short-shorts, jewelry, belts, hats, or street shoes. You will not be allowed to participate in class if you are not dressed according to your instructor’s guidelines.
Dance Studio Policies
All personal belongings, such as cell phones (silenced), backpacks, purses, jackets, dance bags, and shoes, should be stowed in the changing area adjacent to the studio.
Phone policy: texting and talking on the phone is prohibited in the entire studio area. Phone use before or after class only. Phone use outside in the hallways only. Fit-Bit or Apple watches must be put to silence and notifications turned off.
Notebooks and water bottles are allowed in the studio and should be placed off the Marley floor.
Food, drink (other than water) and chewing gum are not allowed in the dance studio.
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Any course specific policies, expectations, or procedures could be included here.
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Under Senate Bill 212 (SB 212), the faculty and all College employees are required to report any information concerning incidents of sexual harassment, sexual assault, dating violence, and stalking committed by or against an ACC student or employee. Federal Title IX law and College policy also require reporting incidents of sex- and gender-based discrimination and sexual misconduct. This means faculty and non-clinical counseling staff cannot keep confidential information about any such incidents that you share with them.
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While students are not required to report, they are encouraged to contact the Compliance Office for resources and options: Charlene Buckley, District Title IX Officer, (512) 223-7964; compliance@austincc.edu .
If a student makes a report to a faculty member, the faculty member will contact the District Title IX Officer for follow-up.
Student Complaints
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The Family Educational Rights and Privacy Act (FERPA) protects confidentiality of students’ educational records. Grades cannot be provided by faculty over the phone, by e-mail, or to a fellow student.
Class grades should be posted in Blackboard, and this could be mentioned here.
Recording Policy
To ensure compliance with the Family Education Rights and Privacy Act (FERPA), student recording of class lectures or other activities is generally prohibited without the explicit written permission of the instructor and notification of other students enrolled in the class section. Exceptions are made for approved accommodations under the Americans with Disabilities Act.
Recording of lectures and other class activities may be made by faculty to facilitate instruction, especially for classes taught remotely through BlackBoard Collaborate or another platform. Participation in such activities implies consent for the student to be recorded during the instructional activity. Such recordings are intended for educational and academic purposes only.
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Health and safety are of paramount importance in classrooms, laboratories, and field activities. Students are expected to learn and comply with ACC environmental, health and safety procedures and agree to follow ACC safety policies. Emergency Procedures posters and Campus Safety Plans are posted in each classroom and should be reviewed at the beginning of each semester. All incidents (injuries/illness/fire/property damage/near miss) should be immediately reported to the course instructor. Additional information about safety procedures and how to sign up to be notified in case of an emergency can be found at http://www.austincc.edu/emergency
Everyone is expected to conduct themselves professionally with respect and courtesy to all. Anyone who thoughtlessly or intentionally jeopardizes the health or safety of another individual may be immediately dismissed from the day’s activity and will be referred to the Dean of Student Services for disciplinary action.
In the event of disruption of normal classroom activities due to an emergency situation or an outbreak of illness, the format for this course may be modified to enable completion of the course. In that event, students will be provided an addendum to the class syllabus that will supersede the original version.
Campus Carry
The Austin Community College District concealed handgun policy ensures compliance with Section 411.2031 of the Texas Government Code (also known as the Campus Carry Law), while maintaining ACC’s commitment to provide a safe environment for its students, faculty, staff, and visitors. Beginning August 1, 2017, individuals who are licensed to carry (LTC) may do so on campus premises except in locations and at activities prohibited by state or federal law, or the college’s concealed handgun policy.
It is the responsibility of license holders to conceal their handguns at all times. Persons who see a handgun on campus are asked to contact the ACC Police Department by dialing 512-223-1231. Please refer to the concealed handgun policy online at http://austincc.edu/campuscarry
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Faculty at the College are required to report concerns regarding sexual misconduct (including all forms of sexual harassment and sex and gender-based discrimination) to the Manager of Title IX/Title VI/ADA Compliance. Licensed clinical counselors are available across the District and serve as confidential resources for students.
Additional information about Title VI, Title IX, and ADA compliance can be found in the ACC Compliance Resource Guide available at:
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Use of ACC email
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Use of the Testing Center
The Testing Centers will allow only limited in person testing and testing time will be limited to the standard class time, typically one and one-half hours. Specifically, only the following will be allowed in the Testing Centers:
- Student Accessibility Services (SAS) Testing: All approved SAS testing
- Assessments Tests: Institutionally approved assessment tests (e.g., TSIA or TABE)
- Placement Tests: Placement tests (e.g., ALEKS)
- Make-Up Exams (for students who missed the original test): Make-up testing is available for all lecture courses but will be limited to no more than 25% of students enrolled in each section for each of four tests
- Programs incorporating industry certification exams: Such programs (e.g., Microsoft, Adobe, etc.) may utilize the ACC Business Assessment Center for the industry certification exams (BACT) at HLC or RRC
The instructor should provide additional information about how they will conduct examinations and other assessments here.
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Student Support
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https://www.austincc.edu/coronavirus/remote-student-support
Student Accessibility Services
Austin Community College (ACC) is committed to providing a supportive, accessible, and inclusive learning environment for all students. Each campus offers support services for students with documented disabilities. Students with disabilities who need classroom, academic or other accommodations must request them through Student Accessibility Services (SAS).
Students are encouraged to request accommodations when they register for courses or at least three weeks before the start of each semester they are enrolled, otherwise the provision of accommodations may be delayed. Students who have received approval for accommodations from SAS for this course must provide the instructor with the legal document titled “Notice of Approved Accommodations (NAA)” from SAS.
Until the instructor receives the NAA from the student accommodations should not be provided. Once the NAA is received, accommodations must be provided. Accommodations are not retroactive, so it is in the student’s best interest to deliver the NAA on the first day of class.
Please contact SAS@austincc.edu for more information.
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Additional tutoring information can be found here:
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Personal Support
Resources to support students are available at every campus. To learn more, ask your professor or visit the campus Support Center. All resources and services are free and confidential. Some examples include, among others:
- Food resources including community pantries and bank drives can be found here:
https://www.centraltexasfoodbank.org/food-assistance/get-food-now
- Assistance with childcare or utility bills is available at any campus Support Center:http://www.austincc.edu/students/support-center.
- The Student Emergency Fund can help with unexpected expenses that may cause you to withdraw from one or more classes: http://www.austincc.edu/SEF.
- Help with budgeting for college and family life is available through the Student Money Management Office:http://sites.austincc.edu/money/.
- A full listing of services for student parents is available at: https://www.austincc.edu/students/child-care
- The CARES Act Student Aid will help eligible students pay expenses related to COVID-19:
https://www.austincc.edu/coronavirus/cares-act-student-aid.
Mental health counseling services are available throughout the ACC Student Services District to address personal and or mental health concerns: http://www.austincc.edu/students/counseling .
If you are struggling with a mental health or personal crisis, call one of the following numbers to connect with resources for help. However, if you are afraid that you might hurt yourself or someone else, call 911 immediately.
Free Crisis Hotline Numbers:
- Austin / Travis County 24-hour Crisis & Suicide hotline: 512-472-HELP (4357)
- The Williamson County 24-hour Crisis hotline: 1-800-841-1255
- Bastrop County Family Crisis Center hotline: 1-888-311-7755
- Hays County 24 Hour Crisis Hotline: 1-877-466-0660
- National Suicide Prevention Lifeline: 988 or 1-800-273-TALK (8255)
- Crisis Text Line: Text “home” to 741741
- Substance Abuse and Mental Health Services Administration (SAMHSA) National Helpline: 1-800-662-HELP (4357)
- National Alliance on Mental Illness (NAMI) Helpline:1-800-950-NAMI (6264)
Office Hours
Published: 04/22/2024 16:18:10