ENGL-2328 American Literature: Civil War to the Present


Carrza Dubose

Credit Fall 2024


Section(s)

ENGL-2328-012 (90437)
LEC DIL ONL DIL

Course Requirements

Course Description

 

African American literature examines African American literary works from the early twentieth century (Realism, Naturalism, and the Harlem Renaissance) to the literature of the Contemporary Period in African American literature (1975 and beyond). Although this course will begin with the earlier twentieth-century, we will examine some earlier aspects of African American literature such as the Vernacular Tradition, slave narratives, and literature of the Reconstruction era. Furthermore, students will explore literature of the Black Arts movement and understand the overall Africanist presence in American letters.

This course will emphasize civic leadership, critical thinking skills, and discipline- appropriate research skills culminating in a research paper. Prerequisites: ENGL 1301 and ENGL 1302

 

 

 

Textbook

 

Jr. Gates, Henry Louis, and Valerie A. Smith. The Norton Anthology of African American Literature 3rd Ed. Volumes 1-2.


Readings

Schedule of Assignments/ Calendars

 

 

 

 

 

Weeks 1-2: Due : What is African American Literature?

 

 

 

Read

Watch

Do

Volume 1

 

Read: Lecture# 1 notes on What is African American Literature?

 

 

 

Read: “Introduction” pp. xxxv-xlvii

 

 

 

Read: “The Vernacular Tradition Part I” pp. 3-10; “Spirituals” pp. 10-12; “Secular Rhymes and Songs, Ballads, and Work Songs” pp. 20-21; “The Blues” pp. 38-39;

“Folktales” pp. 54-56.

Video: “History of African Americans” by History on Maps (YouTube)

 

 

 

Video: Gospel: “Bridge Over Troubled Water” by TheAllGlee Music (YouTube)

 

 

 

 

Video: Spirituals: “Wade in the Water” by Sweet Honey in the Rock (YouTube)

Complete Discussion Boards

 

 

 

 

 

Complete MLA Homework Assignment

 

 

 

Weeks 3-4: African American Literature and Its Segments/Divisions

 

 

Read

Watch

Do

Read: Lecture# 2 Notes on African American Literature and Its Segments/Divisions

 

 

 

Read: “City Called Heaven” p. 12

 

 

 

Read: “Go Down, Moses”

pp. 14-15

 

 

 

Read an excerpt: No More Auction Block” p. 23

 

 

 

Read: “Trouble in Mind”

pp. 43-45

 

 

 

Read: “All God’s Chillen Had Wings” pp. 57-58

Video: Folktales: “Br’er Rabbit and the Tarbaby” by Riddle Films (YouTube)

 

 

 

Video: Jazz/Blues: “A Love Supreme” by John Coltrane (YouTube/Jazzaddict98)

 

 

 

 

Video: Rhythm and Blues: “Love and Happiness” by Al Green (YouTube/Cilla Sounds)

 

 

 

Video: Hip Hop/Rap: “Dear Mama” by 2Pac (YouTube)

Complete Discussion Boards

 

 

 

Weeks 5-6:  The Literature of Slavery and Freedom Boards

 

 

 

Read

Watch

Do

Read: Lecture# 3 notes on The Literature of Slavery and Freedom

 

 

 

Read: “The Literature of Slavery and Freedom: 1746- 1865” pp. 75-87

 

 

 

Read: “Bars Fight” pp. 111- 112 by Lucy Terry

 

 

 

Read: “On Being Brought from Africa to America” pp.143-144 by Phillis Wheatley

 

 

 

Read an excerpt: Incidents in the Life of a Slave Girl by Harriet Jacobs pp. 224-251

Video: “Enslavement to Emancipation” by OCTDC (YouTube)

Complete Discussion Boards

 

 

 

Weeks 7-8: Literature of the Reconstruction to the New Negro Renaissance

 

 

 

Read

Do and Watch

Read: Lecture notes on Paper# 4 (See Blackboard)

 

 

 

Read: “Literature of the Reconstruction to the New Negro Renaissance” pp.

505-520

 

 

 

Read: “Womanhood: A Vital Element” pp. 619-633

 

 

 

Read: “A Red Record” by Ida B. Wells-Barnett pp. 670-679

 

 

 

Excerpt from: The Souls of Black Folk by W.E.B. Du Bois pp. 687-702

 

 

 

“We Wear the Mask” by Paul Laurence Dunbar p. 906

Complete Paper# 1 on Prose Analysis. (1000 word minimum)

 

 

 

Video: “Reconstruction in America After the Civil War” YouTube

 

 

 

“Sympathy” by Paul Laurence Dunbar p. 910

 

 

 

Reread and choose a story or stories for Paper# 1 from the list on Blackboard. You cannot choose a story that is not on the syllabus/Blackboard for Paper# 1. You cannot choose a poem.

 

 

 

Read: MLA Format from Paper# 1 Handout. Please follow MLA Rules for all papers.

 

 

Weeks 9-10: Due Friday, March 22, 2024: Harlem Renaissance

 

 

 

Read

Watch

Do

Read: Lecture# 5 Notes on The Harlem Renaissance

 

 

 

Read: Harlem Renaissance: 1919-1940” pp. 929-944

 

 

 

Read: “The Black Finger” by Angelina Weld Grimke

p. 951

 

 

 

“If We Must Die” by Claude McKay p. 1005

 

 

 

Read: “How It Feels to Be Colored Me” by Zora Neale Hurston pp. 1040-1042

 

 

 

Read: “Fern” by Jean Toomer pp. 1150-1153

 

 

 

Read: “Heritage” by Gwendolyn Bennett p. 1292

Video: “The Harlem Renaissance” by Vision Chasers

 

YouTube

Complete Discussion Boards

 

 

 

Read: “The Negro Speaks of Rivers” pp. 1304-1305; “Mother to Son” p. 1305; “I, Too” p. 1308; “Harlem” p. 1319 by Langston Hughes

 

 

 

Read: “Yet Do I Marvel” by Countee Cullen pp. 1347- 1348

 

 

 

 

 

 

 

Weeks 11-12: Realism, Naturalism, Modernism, and Imagism

 

 

 

Read

Watch and Do

 

 

Volume II

 

Read: Lecture #6 Notes on Realism, Naturalism, Modernism, and Imagism

 

 

 

Read: “The Vernacular Tradition: Part 2” pp. 3-11;

Complete Discussion Boards

 

 

 

Video: “Realism, Regionalism, Naturalism, and Modernism?” by Sam Chiang YouTube

 

 

 
   

 

“Gospel” 11-12; “Songs of

Video: “Imagism Poetry” by English Still Matters to Classy People

Social Change” p. 17;

 

“Jazz” pp. 22-24; “Rhythm

YouTube

and Blues” pp. 27-29; “Hip-

 

Hop” p. 35-38; “Sermons

 

and Prayers” pp. 56-58

 

 

Video: “Regionalism” by Amanda Benson

Read: “Realism, Naturalism,

 

and Modernism” pp. 93-107

YouTube

Read: Excerpt from The

 

Street by Ann Petry pp. 168-

 

179

 

Read: “Those Winter

 

Sundays” by Robert Hayden

 

p. 234

 

 

Read: “Runagate Runagate”

 

by Robert Hayden pp. 235-

 

237

 

 

Read: “Soledad” by Robert

 

Hayden pp. 239-240

 

 

Read: “the mother” by

 

Gwendolyn Brooks pp. 326-

 

327

 

Read: “We Real Cool” by

 

Gwendolyn Brooks p.337

 

 

 

 

 

 

 

 

 

      Weeks 13-15: Due Friday, April 26, 2024: The Black Arts Era; The Contemporary Period; Complete

 

Read

Do

Read: Lecture Notes # 7

 

Read: Introduction to The Black Arts Era pp. 533-561

 

Read: The Contemporary Period pp. 913-929

 

Read: Lecture notes on Paper# 2 (See Blackboard)

 

Read: “A Letter from Birmingham Jail” pp.594- 607

 

Read: “Preface to a Twenty Volume Suicide Note” p.665

 

Read: “Ego Tripping (there may be a reason why) pp. 885-886

 

Read: “Daystar” by Rita Dove p. 1364

 

 

 

Reread and choose a poem or poems for Paper# 2 from the list on Blackboard. You

Complete Paper# 2 on Poetry Analysis. (1500 word minimum).

 

cannot choose a poem that is not on the syllabus/Blackboard for Paper# 2. You must have outside sources to support your analysis. Do not use Wikipedia, Cliffs Notes, Sparks Notes, Schmoop or blogs. Use online sources such as JSTOR and Project MUSE (email/call ACC Library).

 

 

 

Read: MLA Format from Paper# 2 Handout. Please follow MLA Rules for all papers.

 

 

 

 

Week 16: Complete Final Exam

 

 

 

Read

Do

Reread: All Lecture Notes on (See Blackboard)

 

 

 

Reread and skim all introductions, poems, and stories from the syllabus.

Complete Final Examination 


Course Subjects

Grading

 

  1. Paper #1: Analysis of a short story (1000 words)                30%

 

 

  1. Paper #2: Researched Analysis of a poem (1500 words)      30%

 

 

  1. Final Exam                                                                         10%

 

 

  1. Discussion Boards/MLA Assignment                                   30%

 

 

 

 


Student Learning Outcomes/Learning Objectives

Student Learning Outcomes

 

 

  1. Functional Outcomes
    1. Demonstrate critical thinking and reflective inquiry skills;

 

    1. Demonstrate skills at summarizing, critiquing, analyzing, spontaneous writing, and synthesizing;
    2. Demonstrate skills at articulating, supporting, and defending a mature opinion on a particular topic;

 

    1. Demonstrate proficiency in communication (both written and spoken, including the use of technology);
    2. Willingly and critically reflect on and articulate standpoints and positions regarding educational issues and challenges.
  1. Content outcomes
    1. Limit a broad topic to a manageable one for essays ranging from 500 to 2000+ words.
    2. Design plans for original essays by using appropriate prewriting or invention techniques (For example: free writing, brainstorming, journal writing, and asking questions) to
      1. Discover the primary questions that the essay will attempt to answer
      2. Define the goals of the essay
      3. Develop a working thesis for the essay
    3. Design a working structure for each essay by
      1. Developing key points for each body paragraph
      2. Developing descriptive details, examples, or reasons for each key point
    4. Use the pre-approved plans to compose rough drafts of academic essays that
      1. Are appropriate for the audience and purpose
      2. Contain effective introductions.
      3. Contain body paragraphs with well-developed, relevant, and coherent supporting details.
      4. Contain an effective conclusion.
      5. Conform to Standard English Grammar usage and mechanics
    5. Revise essay drafts to improve the following
      1. Content and development
      2. Clarity in sentence structure and word choice
      3. Organization and coherence
      4. Standard English Grammar usage, mechanics, and punctuation so as to render the essay free of serious errors
    6. Produce essays that meet the style and standards of the professional English community

 


Office Hours

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NOTE I am located in Building 1000 Room 1204: 13.

Published: 08/14/2024 10:38:37